Nineteenth-Century Prose invites submissions for a special issue on the
picturesque for Fall 2002. The picturesque is, arguably, the most
pervasive and familiar aesthetic term of the nineteenth century, as well as
its most controversial. It demarcates the limits of nineteenth century
sympathy and designates the terms of cosmopolitan, national and regional
inclusion. Who was deemed picturesque and who could invoke the term as a
descriptive category of charming otherness? How was the picturesque used to
make the growing disparities of modernity more palatable? How did it define
in aesthetic terms the emergent distinctions between metropolitan and
peripheral nations and subnations? A variety of perspectives is encouraged,
including theoretical interrogations that address questions of agency: is
the picturesque an aesthetics of observation or projection? Given the
international dimension of this aesthetic, articles can also include
locales
beyond the U.S., Britain and Europe. The only stipulation is that the
essays focus on the non-fiction prose of the nineteenth century.
Inquiries, submissions and proposals should be sent by email or post to the
guest editor, Carrie Tirado Bramen ([log in to unmask]). Please submit
proposals (1-3 pages) or full-length essays (25 pages) by 1 August 2001 to
Bramen, Dept. of English, 306 Clemens Hall, SUNY/Buffalo, Buffalo, NY
14260-4610.
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