we might also want to consider why, although most late Elizabethan English
poetry is non- or anti-Petrarchan, but pastoral, Ovidian, Euphuistic, most
Renaissance critics prefer to fixate on Petrachism with its on fixation on
the imaginary and leave the complex, pleasurable, intriguing
rhetorical-qua-erotic complexities of the pastoral, Euphuistic, Ovidian,
espeically when they are intertwined, banned from the canon.
Shirley Sharon-Zisser
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