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MED-AND-REN-MUSIC  2000

MED-AND-REN-MUSIC 2000

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Subject:

Announcing a new publication

From:

Ann Buckley <[log in to unmask]>

Reply-To:

Ann Buckley <[log in to unmask]>

Date:

Fri, 24 Mar 2000 22:50:54

Content-Type:

text/plain

Parts/Attachments:

Parts/Attachments

text/plain (75 lines)

Ann Buckley (ed.), Hearing the Past: Essays in Historical Ethnomusicology
and the Archaeology of Sound, Études et Recherches Archéologiques de
l'Université de Liège 86 (Liège. 2000). 


"These essays represent one set of explorations concerning the role of
music and humanly-organised sound in long-term human history. They
demonstrate the riches of interdisciplinary collaboration, of
cross-cultural surveys which are also cross-temporal, and of the value of
this subject in elucidating any number of questions concerning social
processes and mentalities based on a wide range of evidential types. They
are offered as a collection of ideas and observations which will hopefully
be tested and further developed  in the future, not just with respect to
prehistory and the Ancient world, but in any processual investigation of
music and human behaviour" (extract from Introduction, by Ann Buckley).


CONTENTS:

Ann Buckley (Cambridge):
Organised sound and tonal art in long-term perspective	


Cajsa S. Lund (Akarp):
What is wrong with music archaeology? A critical essay from a Scandinavian
perspective, including a report about a new find of a bullroarer


Catherine Homo-Lechner (Brno):
False. Authentic. False authenticity. Contributions and failures 
of experimental archaeology as applied to music instruments
	

Inge Skog (Lund):
North Borneo gongs and the Javanese gamelan: a new historical perspective


Kenneth J. DeWoskin (Ann Arbor, Michigan):
Symbol and Sound: Reading early Chinese instruments
	

Reis Flora (Monash):
Music-archaeological data for culture contact between Sumer and the greater
Indus area: an introductory study
	

Jane M. Snyder (Ohio):
Sappho and other women musicians in Attic vase painting	

	
Jon Solomon (Tucson, Arizona):
The representation of musicians on Greek Geometric pottery: musicians as
decorative symbols
	
Daniel Delattre (CNRS/Paris-Sorbonne)
The dialogue of Greece and Rome about music and ethics in Philodemus of Gadara
	


Orders: 1500 BEF + p&p to:
Emmanuel Delye
Université de Liège - Archéologie Préhistorique
Place du XX Août, 7, bât. A1
B-4000 Liège 
Belgium

Tél.: (00) 32 4 366 52 99
Fax.: (00) 32 4 366 55 51
Email : [log in to unmask]

Credit card payments acceptable


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