medieval-religion: Scholarly discussions of medieval religion and culture
Sylvester I (more accurately, Silvester; the "y" is an artifact of medieval Latin) is recorded as having been bishop of Rome starting in early 314. He attended neither the Synod of Arles (314) nor the Council of Nicaea (325), sending instead representatives to these major assemblies. Little else is known about him as pope, though since he occupied the see of Peter for most of the reign of Constantine I one can suppose that he will have had some hand in the design of the major Roman churches endowed by that emperor. According to the _Liber pontificalis_ Sylvester founded a _titulus Silvestri_ at the Baths of Trajan; this church will have been ancestral to today's San Martino ai Monti, whose full titulature is Santi Silvestro e Martino ai Monti. Sylvester died in the year 335 and was buried in the cemetery of Priscilla on the Via Salaria. In 762 his remains were removed to the later much rebuilt church elsewhere in the city that now is known as San Silvestro in Capite; in 1601, when the present structure was being consecrated, these (along with the remains of two other popes) were re-interred under the high altar.
Sylvester's being such a blank historically may have had a lot to do with the ease with which legends about his relationship with Constantine took hold from the fifth century onward. In their standard form, Sylvester had fled from persecution by Constantine when the latter was yet a pagan and was in hiding on Mount Soracte (in Italian, Soratte; the limestone massif that dominates the Tiber valley north of Rome) when the emperor sought his aid in curing the leprosy with which he had become afflicted. Sylvester descended from the mountain and healed Constantine. In gratitude the emperor converted to Christianity, was baptized by Sylvester in the Lateran Baptistery, and then richly endowed the Roman church. In the early Middle Ages this supposed endowment came to include a grant of supreme temporal power in the western territories of the empire, the so-called Donation of Constantine. The developed legend includes such other defender-of-the-faith episodes as Sylvester's resuscitation of a bull that rabbis had caused to die by whispering "Jehovah" in its ear (Sylvester restored it to life by whispering "Jesus" to it) and his slaying of a noxious, diabolical great serpent (commonly referred to as a dragon) to whom in its underground lair pagans in Rome were offering sacrifice.
In the tradition of the abbey of Nonantola, relics of Sylvester were presented to it by pope Stephen II at its founding in the mid-eighth century. Most of the abbey is now gone but its church, now the basilica abbaziale di San Silvestro I papa (a co-cathedral of the modern diocese of Modena-Nonantola), keeps in its crypt relics said to be his:
http://tinyurl.com/8gmorqe
Sylvester is the diocese's patron saint.
Today (31. December) is pope St. Sylvester I's feast day in Nonantola and his day of commemoration in the Roman Martyrology. Byzantine-Rite churches celebrate him on 2. January.
Some period-pertinent images of pope St. Sylvester I:
a) as depicted (lower register at far left, followed pope St. Clement I and by Christ) in a later eighth-century fresco (betw. 757 and 767) in the nave of Rome's chiesa di Santa Maria Antiqua:
http://tinyurl.com/q9gwgs7
A larger view, showing pope St. Leo I at Sylvester's right:
http://www.rai.tv/dl/img/2012/10/1349112791697Roma-SantaMariaAntiqua.jpg
The identifying inscriptions are in Greek; that for Sylvester reads O AGIOS SELBESTRIOS.
b) as depicted in the late tenth- or very early eleventh-century so-called Menologion of Basil II (Città del Vaticano, BAV, cod. Vat. gr. 1613, p. 281; image greatly expandable):
http://digi.vatlib.it/view/MSS_Vat.gr.1613/0313
c) as depicted (at right; at left, St. Spyridon the Wonderworker) in the earlier eleventh-century mosaics (restored between 1953 and 1962) in the katholikon of the monastery of Hosios Loukas near Distomo in Phokis (grayscale; the images are in the building's seemingly less often photographed diakonikon):
https://phaidra.univie.ac.at/detail_object/o:191570
d) as depicted (at far right; after popes St. Leo I and Gregory I) in an eleventh-century fresco in the diakonikon of the cathedral of Hagia Sophia (now Sv. Sofija) in Ohrid:
http://tinyurl.com/m8u6m4a
e) as depicted in a later eleventh-century sacramentary from Liège (ca. 1075; Paris, BnF, ms. Latin 819, fol. 69v):
http://gallica.bnf.fr/ark:/12148/btv1b10509039d/f144.item.zoom
f) as depicted in a twelfth(?)-century mosaic in Venice's basilica cattedrale patriarcale di San Marco in Venice:
http://www.pemptousia.ro/files/2015/01/Silvestru-Roma-San-Marco-s12-IN.jpg
g) as depicted (baptizing Constantine) in the upper roundel of the opened left wing of the mid-twelfth-century Stavelot Triptych (a reliquary) in the Pierpont Morgan Library in New York:
http://histclo.com/imagef/date/2013/07/stave01s.jpg
The object as a whole (opened):
http://upload.wikimedia.org/wikipedia/commons/5/5e/Stavelot.Triptych.jpg
h) as depicted in the mid- or slightly later twelfth-century mosaics of the Cappella Palatina in Palermo:
http://www.palatina.diocesipa.it/s.%20silvestro1.jpg
i) as depicted (at far right, after pope St. Gregory I and St. Augustine of Hippo) in a probably later twelfth-century mosaic in the basilica cattedrale della Trasfigurazione in Cefalù:
http://tinyurl.com/k7fypq8
j) as depicted (at far left, with Sts. Thomas of Canterbury and Lawrence of Rome) in the late twelfth-century apse mosaics (ca. 1182) of the basilica cattedrale di Santa Maria Nuova in Monreale:
http://farm4.static.flickr.com/3164/2575093180_0101779142_b.jpg
k) as depicted (Baptism of Constantine) in one of four panels of a full-page illumination in the late twelfth-century so-called Bible of Saint Bertin (ca. 1190-1200; Den Haag, KB, ms. 76 F 5, fol. 36v, sc. 2A):
http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_76f5%3A036v_min_a2
l) as depicted (third register from the top; Baptism of Constantine and other scenes from Sylvester's legend) in the late twelfth- or early thirteenth-century apse frescoes of the chiesa di San Silvestro in Tivoli:
http://www.atlantedellarteitaliana.it/immagine/00008/4719OP8325.jpg
Detail views:
http://tinyurl.com/ndw25bg [Baptism of Constantine / Sylvester and the bull]
http://static.panoramio.com/photos/large/44678525.jpg [Baptism of Constantine / Sylvester and the bull]
http://static.panoramio.com/photos/large/44678168.jpg [Sylvester and the bull]
https://www.flickr.com/photos/renzodionigi/3475853978/ [Sylvester and the dragon; color "enhanced"]
m) as depicted in an early thirteenth-century January menaion seemingly from Cyprus (Paris, BnF, ms. Grec 1561, fol. 7v):
http://tinyurl.com/24gjd7z
n) as depicted (Baptism of Constantine) in a thirteenth-century fresco in one of the niches of the baptistry of Parma:
https://www.flickr.com/photos/75827322@N00/7214233988/
o) as depicted (many times) in the earlier thirteenth-century St. Sylvester window (ca. 1210-1225; bay 8) in the basilique cathédrale Notre-Dame, Chartres:
1) The window in its entirety:
http://therosewindow.com/pilot/Chartres/w08-whole.htm
2) A better view of the Baptism of Constantine:
https://www.flickr.com/photos/paullew/15611686361/
p) as depicted (scenes from his legend) in the mid-thirteenth-century frescoes (1246) of the papal chapel dedicated to him in Rome's basilica dei Santi Quattro Coronati:
http://tinyurl.com/olekcwb
http://www.giovannirinaldi.it/page/rome/santiquattro/
q) as depicted (with Constantine) in two panels of a mid-thirteenth-century ambulatory window (bay 108, panels C3 and C4) in the cathédrale Saint-Julien, Le Mans:
http://www.medievalart.org.uk/LeMans/108_pages/LeMans_Bay108_PanelC3.htm
http://www.medievalart.org.uk/LeMans/108_pages/LeMans_Bay108_PanelC4.htm
r) as depicted (over the arch) in the later thirteenth-century frescoes (ca. 1263-1270) in the prothesis of the monastery church of the Holy Trinity at Sopoćani (Raška dist.) in Serbia:
http://tinyurl.com/nodp2wf
s) as depicted (Sylvester and the dragon) in a late thirteenth-century copy of French origin of the _Legenda aurea_ (San Marino, CA, Huntington Library, ms. HM 3027, fol. 13v; image greatly expandable):
http://digitalassets.lib.berkeley.edu/ds/huntington/images//000974A.jpg
t) as depicted (at left; at right, St. Servatius) in the late thirteenth-century Livre d'images de Madame Marie (ca. 1285-1290; Paris, BnF, ms. Nouvelle acquisition française 16251, fol. 87r):
http://tinyurl.com/yfmvotg
u) as depicted in the late thirteenth-century frescoes (ca. 1295) by the painters Eutychios and Michael Astrapas in the church of the Peribleptos (now Sv. Kliment Ohridski) in Ohrid:
http://tinyurl.com/h3hyb5f
v) as depicted (at right; at left, St. Gregory of Nyssa) in the early fourteenth-century frescoes (ca. 1310) of the altar area in the church of the Aphendiko (or of the Hodegetria) in the Brontochion monastery at Mystras:
http://tinyurl.com/3dlmbh8
w) as depicted (at left; at right, St. Methodius of Constantinople) in the earlier fourteenth-century frescoes (betw. 1313 and 1318; conservation work in 1968) by Michael Astrapas and Eutychios in the church of St. George at Staro Nagoričane in the Former Yugoslav Republic of Macedonia:
http://tinyurl.com/lxh2s6s
x) as depicted in the earlier fourteenth-century frescoes (betw. ca. 1313 and 1320) by Michael Astrapas and Eutychios in the King's Church (dedicated to Sts. Joachim and Anne) in the Studenica monastery near Kraljevo (Raška dist.) in Serbia:
http://tinyurl.com/ye2jcxq
y) as depicted (in the upper illumination; Baptism of Constantine) in an earlier fourteenth-century collection of saint's lives in their French-language translation by Wauchier de Denain (ca. 1320; Geneva, Bibliothèque de Genève, Comites Latentes 102, fol. 142r):
http://www.e-codices.unifr.ch/en/bge/cl0102/142r/0/Sequence-1627
z) as depicted in the earlier fourteenth-century frescoes (1330s) of the altar area of the church of the Hodegetria in the Patriarchate of Peć at Peć in, depending on one's view of the matter, either the Republic of Kosovo or Serbia's province of Kosovo and Metohija:
http://tinyurl.com/ybw86hf
http://tinyurl.com/jj9orel
aa) as depicted (scenes from his legend) on the earlier fourteenth-century northern choir screen (ca. 1332) of the Hohe Domkirche Sankt Peter und Maria in Köln:
http://www.akg-images.de/Docs/AKG/Media/TR3_WATERMARKED/5/f/e/2/AKG153515.jpg
Detail view (receiving the tiara from Constantine):
https://www.uni-due.de/collcart/es/sem/s31/material-ps/bild02.htm
bb) as depicted (in two of six scenes from his legend) in the earlier fourteenth-century Hungarian Angevin Legendary (?betw. 1334 and 1342; Città del Vaticano, BAV, cod. Vat. Lat. 8541, f. 72r and 73v):
http://tinyurl.com/zmr2z68 [Sylvester and the bull]
http://tinyurl.com/ho75tjx [Sylvester and the dragon]
cc) as depicted (Sylvester and the dragon) in an earlier fourteenth-century copy of books 9-16 of Vincent of Beauvais' _Speculum historiale_ in its French-language version by Jean de Vignay (ca. 1335; Paris, BnF, ms. Arsenal 5080, fol. 300r):
http://gallica.bnf.fr/ark:/12148/btv1b7100627v/f605.item.zoom
dd) as depicted (at left, in a representation of the First Ecumenical Council; next to him, St. Alexander of Alexandria) in the earlier fourteenth-century frescoes (betw. 1335 and 1350) in the narthex of the church of the Holy Ascension at the Visoki Dečani monastery near Peć in, depending on one's view of the matter, either the Republic of Kosovo or Serbia's province of Kosovo and Metohija:
http://tinyurl.com/y96krb3
ee) as depicted (scenes from his legend) by Maso di Bianco in mid-fourteenth-century frescoes (1340) in the cappella Bardi di Vernio in Florence's basilica di Santa Croce:
1) http://www.wga.hu/art/m/maso/bardi/05bardi.jpg
Detail views:
http://www.wga.hu/art/m/maso/bardi/06bardi.jpg [Baptism of Constantine]
http://www.wga.hu/art/m/maso/bardi/07bardi.jpg [Sylvester and the bull]
2) http://www.wga.hu/art/m/maso/bardi/08bardi.jpg
Detail views:
http://www.wga.hu/art/m/maso/bardi/10bardi.jpg [Sylvester and the dragon]
http://www.wga.hu/art/m/maso/bardi/12bardi.jpg [Sylvester revivifies the pagan priests]
ff) as depicted (at right; at left, his immediate predecessor, pope St. Miltiades) in a mid-fourteenth-century copy, from the workshop of Richard and Jeanne de Montbaston, of the _Legenda aurea_ in its French-language version by Jean de Vignay (1348; Paris, BnF, ms. Français 241, fol. 58r):
http://gallica.bnf.fr/ark:/12148/btv1b84260044/f119.item.zoom
gg) as portrayed in a later fourteenth-century head reliquary (1367) in the Permanent Ecclesiastical Art Exhibition in Zadar:
http://tinyurl.com/nb88qpy
hh) as depicted (Sylvester and the dragon) by Agnolo Gaddi in a later fourteenth-century panel painting (ca. 1380-1385) in the Philadelphia Museum of Art:
https://www.flickr.com/photos/facesofancienteurope/16418014807
ii) as depicted (left margin at top) in a pen-and-ink drawing in a later fourteenth- or earlier fifteenth-century abridgement of Godfrey of Viterbo's _Pantheon_ (Paris, BnF, ms. Latin 4935, fol. 64v):
http://gallica.bnf.fr/ark:/12148/btv1b8455934w/f140.item.r=.zoom
jj) as depicted (enthronement) in a late fourteenth- or early fifteenth-century copy of the _Legenda aurea_ in its French-language version by Jean de Vignay (Rennes, Bibliothèque de Rennes Métropole, ms. 266, fol. 32r):
http://tinyurl.com/zzluqmw
http://tinyurl.com/p38op3d
kk) as depicted (scenes from his legend) in four earlier fifteenth-century panel paintings by Battista da Vicenza (active betw. 1404 and 1438) in the Musei Civici in Vicenza:
http://www.museicivicivicenza.it/file/foto2g-10486.jpg
http://www.museicivicivicenza.it/file/foto2g-10487.jpg
http://www.museicivicivicenza.it/file/foto2g-10488.jpg
http://www.museicivicivicenza.it/file/foto2g-10489.jpg
ll) as depicted in an early fifteenth-century copy of the _Elsässische Legenda aurea_ (1419; Heidelberg, Universitätsbibliothek, Cod. Pal. germ. 144, fol. 275v):
http://digi.ub.uni-heidelberg.de/diglit/cpg144/0574
mm) as depicted (Sylvester and the dragon) in an initial "S" by the court workshop of Frederick III in a mid-fifteenth-century copy of the _Legenda aurea_ (1446-1447; Vienna, ÖNB, cod. 326, fol. 23v):
http://tarvos.imareal.oeaw.ac.at/server/images/7006822.JPG
nn) as depicted (displaying the Tablets of the Law to the disease-stricken Constantine) in a later fifteenth-century copy of the _Chronique dite de Baudouin d'Avesnes_ (Paris, BnF, ms. Français 279, fol. 219v):
http://tinyurl.com/y9vycb9
oo) as depicted (at far left, holding the Tablets of the Law) as in the later fifteenth-century apse frescoes (variously attributed to Leonardo da Bressanone or to his follower Simone da Tesido) of the chiesa/chiesetta di San Giorgio / St. Georgskirche in Tesido / Taisten (BZ) in the South Tirol:
http://tinyurl.com/3xdxayk
pp) as depicted (with a dragon in the head of his staff) in the later fifteenth-century frescoes in the chiesa di San Francesco in Anguillara Sabazia (RM) in Lazio:
http://tinyurl.com/gr2osgm
qq) as depicted (Sylvester and the bull) in a later fifteenth-century copy of Vincent of Beauvais' _Speculum historiale_ in its French-language version by Jean de Vignay (1463; Paris, BnF, ms. Français 51, fol. 111r):
http://tinyurl.com/q6hzuhj
rr) as depicted (central register, second from right) by Carlo Crivelli in his later fifteenth-century Altarpiece of Massa Fermana (1468) in the chiesa dei Santi Lorenzo e Silvestro in Massa Fermana (FM) in the Marche:
http://tinyurl.com/o9euuqy
ss) as depicted (bust-length portrait and scenes from his legend) by Andrea de Litio in a later fifteenth-century panel painting (variously dated to ca. 1470 and to 1480) in the chiesa di San Silvestro in Mutignano (TE) in Abruzzo:
http://foto.inabruzzo.it/provincia%20Teramo/D-M/Mutignano%20San%20Silvestro/index.html
tt) as depicted in an initial "S" in a later fifteenth-century missal for the Use of Salzburg (1476; Universitätsbibliothek Salzburg, MS. M III 12, fol. 160v):
http://www.ubs.sbg.ac.at/sosa/handschriften/MIII12%28160vb%29.jpg
uu) as depicted (right margin at top) in a hand-colored woodcut in the Beloit College copy of Hartmann Schedel's late fifteenth-century _Weltchronik_ (_Nuremberg Chronicle_; 1493) at fol. CXXVIIIv:
https://www.beloit.edu/nuremberg/book/6th_age/left_page/32%20%28Folio%20CXXVIIIv%29.pdf
vv) as depicted (enthroned with the dragon at his feet) in an early sixteenth-century fresco (ca. 1511), attributed to Dionisio Cappelli, in the chiesa di San Silvestro in Colle di Arquata, a _frazione_ of Arquata del Tronto (AP) in the Marche:
http://tinyurl.com/os7hwqx
ww) as depicted in an earlier sixteenth-century fresco (1544) in the monastery of St. Neophytos in Tala (Paphos prefecture), Republic of Cyprus:
https://apsida.cut.ac.cy/files/original/3d0f80f43f4f1cc4460d7eff15f73f70.jpg
xx) as depicted in the earlier sixteenth-century frescoes (1545 or 1546) by Theofanis Strelitzas-Bathas (a.k.a. Theophanes the Cretan) in the katholikon of the Stavronikita monastery on Mt. Athos:
http://www.riminicapodanno.it/galleria-fotografica/ingrandimento/16.jpg
yy) as depicted in an earlier sixteenth-century fresco (1546/47) by George / Tzortzis the Cretan in the katholikon of the Dionysiou monastery on Mt. Athos
http://tinyurl.com/hjz28x5
A happy Sylvester to all,
John Dillon
**********************************************************************
To join the list, send the message: subscribe medieval-religion YOUR NAME
to: [log in to unmask]
To send a message to the list, address it to:
[log in to unmask]
To leave the list, send the message: unsubscribe medieval-religion
to: [log in to unmask]
In order to report problems or to contact the list's owners, write to:
[log in to unmask]
For further information, visit our web site:
http://www.jiscmail.ac.uk/medieval-religion
|